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Beyond it's particular shape and texture, the environment has an inkling of being itself, which Heidegger calls dasein- ‘being there’
Ten days across Devon
Paintings made from memory on top of a photographic record of a walk of the Two Moors Way. A rhizomic body of work, where many images were produced. Patterns and repetitions crop up, narratives form and dissipate as the images reference each other and take on new meanings.
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